Wednesday 18 March 2009

EVALUATION


It would be wrong for me not to start from the absolute beginning when considering my relationship with technology - as this brief has forced me to recognise my roots!
From when my eldest brother was about 5 years old (making me grand old age of Zero at the time) we’ve had computers in the house. From Amstrad to Amiga to Miscrosoft PC’s, he was always programming & playing. The core of every single argument with my big brother was over the computer. That’s so geeky it’s a crime, but sadly it’s no joke! Anyway my point is that even before any of my mates had computers at all I’d always be way better than them at everything on PC’s - even showing my teachers how to use things like Corel Paint, and other Photoshop style programmes that I can’t even remember. Somewhere in between not really being clear of who I am and what I do I’ve lost my savvy-ness on computers! Just like when you’re the best in art at GCSE and then you move up A levels at college.

Since the practical side of the brief has been a lot to do with discovery of new programmes for animation I’ve realised that I’ve never really used MAC’s and after all this time turning my nose up to people who can’t use PC’s - I’m completely MAC illiterate. I’ve never really noticed as I’ve always done work at home and assumed that I’ll know how to convert when to time comes. It’s not just Mac’s either, it’s also Adobe programmes that I’ve never had the pleasure to have had access to but now I get myself in a fluster using it all as it’s all MAC’s at uni. Anyway the biggest thing that I’ve found is that I have the skills and I can learn. It’s easy once you persevere - perseverance is the answer to all my problems!

So the brief to me was largely about my discovery and willingness to learn. Everything has been so available to me and under my nose and I’m so happy that this brief has discouraged my MAC fear! I’ve really sunk my teeth into what animation technology is all about and how it works for me. I’ve asked myself so many questions and realised how I can combine simplistic technologies like pen & paper with more computer based technologies like AE.

I’ve tried to used technology as an aid to everything I’ve been doing concerning the project. Using the widest range of little things that can aid my understanding. I’ve been using my phone calendar and used it a lot to make to do lists keeping me on track and constantly productive. I’ve also been using a new website my friend has made called www.niid.to - the need to do social! As far as documenting research goes, my new little Canon digital ixus 85is has been a lifeline. I’ve really enjoyed making videos to document things like popup books, photographing books from the library and documenting my journey through the project. I feel it’s really hard to document how a book has aided your research. Books are tactile and I much prefer photographing the parts that really helped me rather than sitting with a scanner and trying to create a perfect image of what was on the page. It’s improved my lighting skills and has encouraged innovative use of composition to capture what I’ve been looking at. Blogging is always at the top of my list of fun things to do when I’m just sat in the flat. I enjoy doing it anyway, so I’ve found new ways of documenting the research I have undertaken to enable me to look forward about finding the next bit of information. Every part of research has been a creative and historic revelation to me. I’ve loved every part.

With weekly workshops on the timetable, It’s given me goals to set myself for instance if I went to a timetabled workshop on flash, I would set myself an animation deadline for the weekend after it or to create something that I could test my abilities in the programme. This was purely to persevere and get things to stay in my head rather than forgetting things after each session. I find one of the best pluses about this course is cooperative learning. One of the best types of learning is from the people you’re in a room with. I’ve found out about workshops (lightbox workshop) I would never have known about if it wasn’t for the group crit groups. Also if I’ve got stuck at uni doing bits of animation or technical stuff there’s always another student who’ll know exactly how to do what you’re trying to do. It’s really the best form of learning as you can bounce things off one another.

These are my chosen questions and the rationale behind them

QUESTIONS:
"How much do I know already and how can I improve my understanding and skills in animation?”

“Research the space race between the US & USSR: Specifically the story of the space dog Laika - Can I incorporate this research into animation?”

“What are the differences between animation found in the 1950’s US & USSR?”

RATIONALE: JANUARY
“I am intrigued by Russian history especially the specifics of the stories surrounding the race to space between America & Russia, the Cold War period in general. Also I am interested in looking at the comparisons of propaganda & animation from the 1950's between America & Russia. Russia tends to have dumbed down, objective, communist visual representations of innovation where as America's visual language from the 50's is extremely widespread, subjective and innovative.”

At this point in my I was also researching miniatures, maquettes or animation sets. This was an interest that I decided to use more as a contextual aid to what I may use if I were to make a set this lead me to create a homage to Rodchenko’s spatial composition.

The link with my Russian History research and with my animations is not as strong as it set out to be. The more knowledge of the Cold War I gained - the less appropriate it felt to create an animation based on the research I had carried out. I just used my initial interest – the story of Laika as a basis for my animations without much of a narrative as I was not working towards an elaborate final piece, more like small animations to test my ability. With the body of qualitative research I have encompassed I hope to further this project in the future to create a more constructivist inspired animation with a wider research inspired final piece. It became clearer to me that the story of Laika was sadder than initially thought and had more of a link with the cold war than I was aware of. My outlook on history is much deeper now and I feel I have gained a great knowledge of an area of history of which I had no experience of learning. The animations I have created are widely inspired by the American animation I have researched as it is more of a mask over the heavy and sad research I had been doing on the cold war.

This project has been so easy and fun because I set myself something that I knew I’d enjoy. It was hard finding out about the things that I was completely unaware of and it’s hard writing about the whole of the project now to really sell it to the person who’s reading this without the aid of the rest of my blog to illustrate it all.

I have thoroughly enjoyed this project and I’m very sad that it’s ending. I’ve not really had the chance to maximise or master my skills in one area. I’ve had a lot of fingers in a lot of pots! The most important thing to me is that this is so open ended and I’ve learnt which areas I want to master, and gained enough knowledge in them to do so. This is just the beginning of a whole new planet of opportunities and specialism within animation for me. Also I’ve loved being able to talk about a subject with ease and even apply critical theory to it like with Lenin’s link with Marxist theory and the whole concept of Panoptiscism with Stalin’s regime. I will never know everything about the research I have carried out but my brain has certainly increased in size! I’m a lot wiser to things and my understanding of critical discourses and I’m able to focus and to learn.

Monday 16 March 2009

HAMMER & TICKLE


More good TV this week...Right now i'm just watching Hammer & Tickle on BBC2.

"Ben Lewis's documentary tells the real history of Communism through the jokes told by ordinary people about the oppressive Communist regimes of the Soviet Union and its satellites. Jokes became the language of truth in a society denied free speech and confronted daily with the gap between political propaganda and reality."

Not keen on this documentary. It's got awful, really unfunny animations in the middle and re-enactments. I guess it's supposed to probably be a little younger audience friendly or something. The jokes alone are funny and it's interesting to see . I guess it's all about Jokes but after reading about Stalin so much lately & the cold war in general it's hard to see the funny side. NEED A BREAK!

It's just touched on a newsreel from when Sputnik 1 was launched... hurraaay

Found a pretty good PDF on the theme.

A man dies and goes to hell. There he discovers that he has a choice: he can go to capitalist hell or to communist hell.
Naturally, he wants to compare the two, so he goes over to capitalist hell. There outside the door is the devil, who looks a bit
like Ronald Reagan. "What's it like in there?" asks the visitor. "Well," the devil replies, "in capitalist hell, they flay you alive,
then they boil you in oil and then they cut you up into small pieces with sharp knives."
"That's terrible!" he gasps. "I'm going to check out communist hell!" He goes over to communist hell, where he discovers a
huge queue of people waiting to get in. He waits in line. Eventually he gets to the front and there at the door to communist hell
is a little old man who looks a bit like Karl Marx. "I'm still in the free world, Karl," he says, "and before I come in, I want to
know what it's like in there."
"In communist hell," says Marx impatiently, "they flay you alive, then they boil you in oil, and then they cut you up into
small pieces with sharp knives."
"But... but that's the same as capitalist hell!" protests the visitor, "Why such a long queue?"
"Well," sighs Marx, "Sometimes we're out of oil, sometimes we don't have knives, sometimes no hot water..."

Sheeeesh......

O'HARA TO SAUNDERS


Here's me emailing 3rd year animator on the Vis Com course Matt Saunders. What a helpful chap! Click image to see full size, the top is the most recent reply... bottom is first message from me... common sense

SPACE DAWGS!


1960: Sputnik 5 was the first spacecraft to send animals into orbit and return them safely back to Earth... Belka & Strelka

Check this out

Space Bitchezzzzz!
All the space dogs were female as they didn't have to cock their leg up to wee! As they had to sit for hours and hours in small compartments. They were all trained up to do this... read allll about it! Turns out that one of the space dogs was called Lisa!

CUBA CRISIS

Was having a chat with my dad about the cold war and he said I ought to research the Cuba Crisis... He was right!

Definitely worth a read

CONSTRUCTIVE LINKAGE!



Thanks Kate for this flippin' brilliant link... Couldn't be more appropriate really!

POPUP

It occurred to me that popup books are an incredible form of animation!


HAUNTED HOUSE from lisa o'hara on Vimeo.
Jan Pienkowski's haunted house popup book.


ABC3D from lisa o'hara on Vimeo.
This is Marion Bataille's ABC3D popup typography book

Sunday 15 March 2009

EYE UP!

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Model making at it's best! PHWOARRRRRR!

The Small Mole & The Green Star



This is a German animation from the 1957, the year of Sputnik 2's launch. No significance at all to the story of Laika but the same era... One of the cutest things I've ever seen.

TV ON MY SIDE

The lost world of communism was on tonight,

'Documentary series on the fall of the Iron Curtain and its legacy. 1989 marked the collapse of communism in Eastern and Central Europe and an end to a way of life for millions of people. Having lived through extraordinary times, they tell their stories of life behind the Iron Curtain, looking beyond the headlines of spies and surveillance, secret police and political repression, to reveal a rich tapestry of experience.
Firstly, a look at the 'socialist paradise' of communist East Germany.'


Although the focus was on East Germany, there was a lot of relevance to my research. There were stories told by people who had been victims of Stalin, there was some horrific realities and it really hit home to what it must have been like.

Thank God for critical studies as I wouldn't be able to relate back to Marxism and be aware of Lenin's contributions to Marxist Theory (Leninism) Also to link Panopticism with the concept of surveillance.

The best thing about it was my discovery of Sandmännchen or Sandman. It was amazing. Good old stop motion animation with models & handmade characters. Really incredible and inspiring.







IGNORE THE END's OF EACH ONE!!!!!! You can see what i mean by this if you dare watch past the Sandmannchen video's, it just turns into completely awful animation. awful.

Goodbye Lenin was on tonight too...

TIMELINE SOVIET UNION


Saturday 14 March 2009

Thursday 12 March 2009

FANTASIA!


FANTASIA from lisa o'hara on Vimeo.

Disney! I've only ever watched this once in my whole life and it was when I was really little with my cousin Rachel. The unicorn parts aren't my favourite bits. Make me squeal like a 7 year old.

Wednesday 11 March 2009

THE SILENT FILM POSTER

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I've been scouring the library since seeing all that amazing Russian 1920's art on the Culture Show. I've come across some incredible work! Mainly by the Stenburg Brothers.

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As i've been comparing American & Russian contrasts in Animation from around the time of the space race it's really interesting to contrasting film posters. These Russian exmaples are really reminiscent of Constructivism but also I feel when compared to American film posters from the same time they almost almost express the contrasts between art nouveau & art deco.

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This 1920's Nikolai Prusakov poster of 'The Glass Eye' from 1929 is a really good example of what an Art Deco inspired piece may represent. Although when compared to a poster from the 1920's in America like this one... Hells Angels in 1928. The angular use of line, shape and blocks of colour are still apparent but there is still a softness reminiscent of Art Nouveau. This is just a small observation but I feel it kind of represents the constraints of Russia at the time where as America expresses the opposite approach

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It's really hard to express what I mean, but the contrasts I have highlighted are ones i've seen throughout the comparisons I have made in my research. America's expression of "free thinking" through art & advertising and Russia's stricter approach is always really obvious in early representations of culture.

Tuesday 10 March 2009

CULTURE SHOW


"Andrew Graham Dixon goes behind the Iron Curtain at Tate Modern's exhibition of Russian constructivist art, featuring the work of Aleksandr Rodchenko and Liubov Popova. Andrew reveals how constructivism has long outlived Russian communism on album covers and magazines.

Good stuff...

How Russian Constructivism revolutionised art...
I usually forget to watch the culture show but every time I see it I think "I would have really missed out if i'd have missed this!" It was so useful to me!
Having looked at Rodchenko's & Popova's work myself, it's hard to make the connections that Dixon makes as he has a better informed knowledge of art history & history in general.
He explains that Constructivism in art was a way of escaping the bourgeoisie. My favourite medium of work in Rodchenko's practise are his Photomontage pieces. Dixon describes them as "stark & aggressive" & "A style routed in violence"

A point that Dixon expressed whilst talking to Nevil Brody is that when he looks at the art in the exhibition (from 1920's), he finds it hard to enjoy because of what happened next in history, under Stalin's regime.

It also features Rodchenko's 'Space Construct' sculptures that i've researched before. HERE'S MY PASTICHE! It'd be great to catch the exhibition whilst it's on at the TATE.



This LINK will only last for a certain amount of time (as it's BBC iPlayer)

Friday 6 March 2009

FLOWER POWER!

Mike Flower gave me a great fat link to a really good tutorial site for After Effects Tutorials...

Sunday 1 March 2009

WANNIT!


SHOULD HAVE SAVED MY CASH!

GOOD READS


The Film Factory:

Although 1939 is not quite as close to the 1950's as I'd have liked...It has some really in depth and useful analysis of Soviet Film history. It's quite startling the amount of information in it. It's got plenty of stills along with newspaper articles, letters and interviews (amongst other useful propaganda). I've been looking to buy it from Amazon but it's a bit pricey for me at the minute, but whilst searching I found it on Google Books. This is a different cover to the one I got from the Library but it's the whole book by the look of things... wont have to buy it after all!


Film Propaganda: Soviet Russia & Nazi Germany:


This book explains how Soviet Russia & Nazi Germany used film as 'a weapon for mass political propaganda'.

TIMELINE RUSSIA